Two centuries ago, native New Yorker Washington Irving exploded onto the literary scene of Europe with the publication of his breakout collection of stories, The Sketch Book of Geoffrey Crayon, Gent. Published in England and America in 1819 -1820, and universally praised for its inventive characters and soul-searching qualities, including the immortal tales "Rip Van Winkle" and "The Legend of Sleepy Hollow," the volume enjoyed remarkable transatlantic success, allowing Irving to become the first of his nation to support himself as a professional author. In this distinctive collection, historians and literary scholars come together to reassess Irving's imaginative world and complex cultural legacy. Alternately a satirist and a nostalgia merchant, Irving was ever absorbed in reconstituting a lost past, which the volume dubs "Rip Van Winkle's Republic." The assembled scholars explore issues of Anglo-American culture, the power of imagery, race, and the treatment of time and history in Irving's vast body of literature, as well as his status as a bibliophile, an antiquarian, and a prominent figure in an age of literary celebrity. Edited by acclaimed historians Andrew Burstein and Nancy Isenberg, Rip Van Winkle's Republic marks a rediscovery of this marvelous author of social satire and fabled tales of the past.

The New York Times Bestseller A ground-breaking history of the class system in America, which challenges popular myths about equality in the land of opportunity. In this landmark book, Nancy Isenberg argues that the voters who boosted Trump all the way to the White House have been a permanent part of the American fabric, and reveals how the wretched and landless poor have existed from the time of the earliest British colonial settlements to today's hillbillies. Poor whites were central to the rise of the Republican Party in the early nineteenth century and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted white trash against newly freed slaves, which factored in the rise of eugenics - a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and Lyndon B. Johnson's Great Society; they are now offered up as entertainment in reality TV shows, and the label is applied to celebrities ranging from Dolly Parton to Bill Clinton. Marginalized as a class, white trash have always been at or near the centre of major political debates over the character of the American identity. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America's supposedly class-free society - where liberty and hard work were meant to ensure real social mobility - and forces a nation to face the truth about the enduring, malevolent nature of class.

The New York Times Bestseller, with a new preface from the author "This estimable book rides into the summer doldrums like rural electrification. . . . It deals in the truths that matter."-Dwight Garner, The New York Times "This eye-opening investigation into our country's entrenched social hierarchy is acutely relevant."-O, The Oprah Magazine "White Trash will change the way we think about our past and present." -T. J. Stiles, Pulitzer Prize-winning author of Custer's Trials In her groundbreaking bestselling history of the class system in America, Nancy Isenberg, co-author of The Problem of Democracy, takes on our comforting myths about equality, uncovering the crucial legacy of the ever-present, always embarrassing-if occasionally entertaining-poor white trash. "When you turn an election into a three-ring circus, there's always a chance that the dancing bear will win," says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters that put Trump in the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as "waste people," "offals," "rubbish," "lazy lubbers," and "crackers." By the 1850s, the downtrodden included so-called "clay eaters" and "sandhillers," known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America's supposedly class-free society--where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics--a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ's Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation's history. With Isenberg's landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

With this book, Nancy Isenberg illuminates the origins of the women's rights movement. Rather than herald the singular achievements of the 1848 Seneca Falls convention, she examines the confluence of events and ideas--before and after 1848--that, in her view, marked the real birth of feminism. Drawing on a wide range of sources, she demonstrates that women's rights activists of the antebellum era crafted a coherent feminist critique of church, state, and family. In addition, Isenberg shows, they developed a rich theoretical tradition that influenced not only subsequent strains of feminist thought but also ideas about the nature of citizenship and rights more generally. By focusing on rights discourse and political theory, Isenberg moves beyond a narrow focus on suffrage. Democracy was in the process of being redefined in antebellum America by controversies over such volatile topics as fugitive slave laws, temperance, Sabbath laws, capital punishment, prostitution, the Mexican War, married women's property rights, and labor reform--all of which raised significant legal and constitutional questions. These pressing concerns, debated in women's rights conventions and the popular press, were inseparable from the gendered meaning of nineteenth-century citizenship. |Illuminates the origins of American feminism by showing how antebellum feminists moved beyond suffrage to influence thinking about the nature of citizenship and rights more generally.

Ancient Rome has always been considered a compendium of City and World. In the Renaissance, an era of epistemic fractures, when the clash between the 'new science' (Copernicus, Galileo, Vesalius, Bacon, etcetera) and the authority of ancient texts produced the very notion of modernity, the extended and expanding geography of ancient Rome becomes, for Shakespeare and the Elizabethans, a privileged arena in which to question the nature of bodies and the place they hold in a changing order of the universe. Drawing on the rich scenario provided by Shakespeare's Rome, and adopting an interdisciplinary perspective, the authors of this volume address the way in which the different bodies of the earthly and heavenly spheres are re-mapped in Shakespeare's time and in early modern European culture. More precisely, they investigate the way bodies are fashioned to suit or deconstruct a culturally articulated system of analogies between earth and heaven, microcosm and macrocosm. As a whole, this collection brings to the fore a wide range of issues connected to the Renaissance re-mapping of the world and the human. It should interest not only Shakespeare scholars but all those working on the interaction between sciences and humanities.

From the author of White Trash and The Problem of Democracy, a controversial challenge to the views of the Founding Fathers offered by Ron Chernow and David McCullough Lin-Manuel Miranda's play "Hamilton" has reignited interest in the founding fathers; and it features Aaron Burr among its vibrant cast of characters. With Fallen Founder, Nancy Isenberg plumbs rare and obscure sources to shed new light on everyone's favorite founding villain. The Aaron Burr whom we meet through Isenberg's eye-opening biography is a feminist, an Enlightenment figure on par with Jefferson, a patriot, and-most importantly-a man with powerful enemies in an age of vitriolic political fighting. Revealing the gritty reality of eighteenth-century America, Fallen Founder is the authoritative restoration of a figure who ran afoul of history and a much-needed antidote to the hagiography of the revolutionary era.

Mortal Remains Death in Early America Edited by Nancy Isenberg and Andrew Burstein "An important book that introduces new methods of analyzing death in early American history. . . . The book illustrates the profound ways that experiences with death and the imagery associated with death influenced not only religion but also other issues--national politics, gender politics, and race relations--that are easy to relate to our contemporary concerns. Isenberg's and Burnstein's work makes a significant contribution to the discussion of death and dying in American history and its value for interdisciplinary study."--"Journal of the American Academy of Religion" "These 12 short, highly focused essays analyze how experiences with death and the imagery associated with it influenced US culture before 1860. . . . Recommended."--"Choice" ""Mortal Remains" has set an impressive standard for scholarship on death in early America."--"Journal of American History" ""Mortal Remains," a collection of twelve essays on death in English-speaking America from the late 1600s to the middle decades of the 1800s, offers a sampling of current cultural historical scholarship and concerns."--"Pennsylvania Magazine of History and Biography" "Mortal Remains" introduces new methods of analyzing death and its crucial meanings over a 240-year period, from 1620 to 1860, untangling its influence on other forms of cultural expression, from religion and politics to race relations and the nature of war. In this volume historians and literary scholars join forces to explore how, in a medically primitive and politically evolving environment, mortality became an issue that was inseparable from national self-definition. Attempting to make sense of their suffering and loss while imagining a future of cultural permanence and spiritual value, early Americans crafted metaphors of death in particular ways that have shaped the national mythology. As the authors show, the American fascination with murder, dismembered bodies, and scenes of death, the allure of angel sightings, the rural cemetery movement, and the enshrinement of George Washington as a saintly father, constituted a distinct sensibility. Moreover, by exploring the idea of the vanishing Indian and the brutality of slavery, the authors demonstrate how a culture of violence and death had an early effect on the American collective consciousness. "Mortal Remains" draws on a range of primary sources--from personal diaries and public addresses, satire and accounts of sensational crime--and makes a needed contribution to neglected aspects of cultural history. It illustrates the profound ways in which experiences with death and the imagery associated with it became enmeshed in American society, politics, and culture. Nancy Isenberg and Andrew Burstein are coholders of the Mary Frances Barnard Chair in Nineteenth-Century American History at the University of Tulsa. Isenberg is the author of "Sex and Citizenship in Antebellum America," winner of the 1999 SHEAR book prize. Burstein is the author of several books, including "America's Jubilee." 2002 264 pages 6 x 9 20 illus. ISBN 978-0-8122-3678-1 Cloth $55.00s 36.00 ISBN 978-0-8122-1823-7 Paper $24.95s 16.50 World Rights American History, Cultural Studies Short copy: "These 12 short, highly focused essays analyze how experiences with death and the imagery associated with it influenced US culture before 1860."--"Choice"